The structure of the "MY.B" facade, with the building's striking soffits and length, led to the idea of illuminating the facade using laser projection.
The soffits stick out as the prominent structural feature of the building's form and serve as the perfect backdrop for the glancing views along the front. The dynamic of the commuters coming into the city in the morning and leaving in the evenings going northward can be experienced in the similar movement of the light.
The newest generation of laser technology and automation are used on the "MY.B" building.
Depending on the situation, the lighting can vary between restrained static motifs and very dynamic geometries with long-distance effects.
The system consists of two laser projectors that are integrated into bespoke outdoor cases that have been mounted on the upper section of the columns.
Power consumption is about 90 to 150 Watts max. per projector, which is, for this specific use, about 50% below the requirements for LEED Gold or Platinum Certification and can therefore be considered as the most energy-efficient facade lighting.

The workplace as a stage with the most diverse range of areas.
The lighting design here is based on a system of busbars that are very flexibly fitted with different kinds of luminaires.
A luminous color of 3000 K and the brilliance of the luminaires, together with the materials, create a special kind of coziness with a highly pleasant liveability in the rooms.

The foyer and the two floors in the entrance area are multifunctional. A grid of flush-mounted busbars and downlights are integrated into the lamellar structure of the ceiling.

The multistorey administrative building completed in 1959 underwent thorough refurbishment to meet contemporary expectations of a corporate headquarters. The building received two new entrances with flying roofs that noticeably complement the older building.
The office lighting design has linear lighting fixtures integrated into the ceiling. The arrangement of luminaires underscores the lightness and refinement of the building in its nocturnal effect. At our suggestion, the luminaires are placed in a channel custom designed by us to include all of the building automation: sprinklers, loudspeakers, ventilation outlets, etc. The space in which to position all of these elements was very constricted, making their placement in the channel a particular challenge that had to be closely coordinated with the architects and building technicians. As a result, the ceiling is now extremely clear in its structure and remains free of any other fixtures or installations.

The German Football Association (DFB) is Germany's largest athletic association. But it did not have a national training center. Which makes the DFB Academy a highly unique project–a new kind of space meant to bring together people of all ages and athletic abilities.
The architects use a large boulevard to connect the large complex of offices, playing fields, restaurants, fitness and hotel rooms.
The concept for the lighting design is based on the idea of an outside boulevard. The colors for the ceiling areas were chosen by us to be in two different blue tones without any lighting fixtures mounted in this "sky," the illumination of which is of central importance to create the illusion of light from above all the way down into the darkest areas.
The lighting on the city boulevard below it is animated and varied making the 230-meter-long route a diverting and entertaining one.
We designed a six-meter-high tree made of lights to serve as the central feature on the market square. It is constructed out of high jumping poles and consciously symbolizes a niche sport in the DFB.

The newest models of the BMW Group are designed at the Research and Innovation Center. Project groups with up to 100 employees work together in flexible, two-storey open rooms. Natural and artificial light interplay optimally in all areas of
the building. Its external appearance at night has also been taken into account. The desk lamps specially designed for all of the workstations underscore the corporate design.