The lighting design firm Lichtvision was commissioned to develop a concept to illuminate the facades of the Humboldt Forum. The result was an intentional lighting of the facades in terms of intensities of illumination and their distribution.
The lighting design bathes the building in a uniform light. It accentuates the mighty presence of the Royal Palace in the heart of Berlin. The flat evenness of the light without much shadowing places priority on the building's three-dimensionality over its details so that it appears imposing and grand, especially from a distance. The height of the light points is necessary to avoid casting hard shadows and to create a uniform lighting.
The designers' lighting specifications were based on standard luminaires. Their design then needed to be integrated into the light columns that also illuminated the exterior areas. KARDORFF was commissioned with achieving these two tasks by using one type of light column.
First, the positions for the light columns were chosen by Kardorff Ingenieure to ensure that the entrances and views of the palace remained unobstructed. The desired light distribution at the defined positions had to be recalculated for the luminaires that can be used in Selux's LIF light column. The LIF light column was custom designed by Kardorff Ingenieure and has highly complex facade modules which can precisely aim individual LED using many separately adjustable deflective mirrors.
This made it possible to achieve the same lighting effect even with another product and at other positions than Lichtvision had originally designed.
As a result, the illumination of the square and the facade have been integrated into one luminaire.

The facade has 450 DMX-controlled lighting fixtures that offer endless possibilities for setting the scene. Additional spotlights have been positioned in the landscape in invisible niches to illuminate the dark areas of the facade. For special events, there are places to position temporary projectors which can be easily integrated into the control system. The lighting in the museum and its shop is designed to optimally present the writing implements, given their small formats.

Another milestone for our team: the lighting of a world heritage site and a large, internationally famous collection. In 2009, after ten years of intensive planning, we were able to handover the realized lighting concept in the restored Neues Museum. The discreet light atmosphere and the soft, yet precise
illumination of the objects – particularly Nefertiti – are highly admired by museum specialists and visitors. For the overall architecture, David Chipperfield received the 2011 German Architecture Prize, among other recognitions.
 

Since May 2013, the Wiesbaden Museum has displayed its collection of old masters in the remodeled and newly organized south wing. The lighting concept designed by us for the exhibit has been implemented, including the illumination of the individual exhibits.

A museum in a former depot. We illuminated the exhibit with only two light channels. Recessed luminaires light the ceilings and show off the cross vaults. Spotlights set the scene for the exhibited objects. As a result of the close cooperation with the exhibit's designer, Prof. Detlef Saalfeld, it was possible to design a top-quality exhibit on a low budget.