As the host, the UAE's pavilion is one of the main buildings at the EXPO and one of great significance.
The design is inspired by a falcon with upward soaring wings, which are fitted with photovoltaics. During the day they are closed and the solar cells tilt toward the sky and at night they open up and display illuminated inner surfaces.
The entire pavilion is monochrome white and is given structure through light. The free-form ceiling of the vast interior is made legible by the double-curved lines of light and captures the iconographic character of the interior space.
The adjoining rooms are very complex ranging from underground parking garages, VVIP rooms and underground entrances to a tunnel connecting the pavilion directly with the Royal Pavilion. Not only did the lighting designers illuminate the interior spaces, but also the building's exterior, the gardens and all of the adjacent areas. The details for the installation were extraordinarily intricate and the highest priority was placed on the invisibility of the luminaires.
Santiago Calatrava wanted only light and structure without any lighting fixtures whatsoever.

UCI Potsdam has been transformed to a luxury cinema of the brand UCI luxe, for which we developed a lighting strategy and individual light planning of the cinemas. The lighting concept supports the corporate identity of the cinema brand. The lighting sculpture that we designed uses 400 lighting spheres.

The German pavilion is one of the few that very generously lets in natural light into the interior. We defined and fine-tuned the design for the upper lighting in terms of number of fixtures, distribution and the transmittance of the glass in multiple simulations. The passage of light through clear glass and the breakthrough of direct sunbeams are desired and intentionally made possible. We used films to show how the cones of lights will move through the interior space. Only the center stage is shaded from the spots of sunlight.

No other pavilion at the EXPO 2020 was given such an intense natural lighting design. It was a statement about the sustainable use of natural light.

For the 2014 state garden show in Giessen, artist Monika Goetz placed a lighted ring above a 150 year-old oak. Kardorff Ingenieure assisted the artist in realizing the lighting.

The new church building includes the surrounding urban areas in its spatial design concept. The structure consists of an open and closed cube. The interior design of the church is conceived of as circular.