As the host, the UAE's pavilion is one of the main buildings at the EXPO and one of great significance.
The design is inspired by a falcon with upward soaring wings, which are fitted with photovoltaics. During the day they are closed and the solar cells tilt toward the sky and at night they open up and display illuminated inner surfaces.
The entire pavilion is monochrome white and is given structure through light. The free-form ceiling of the vast interior is made legible by the double-curved lines of light and captures the iconographic character of the interior space.
The adjoining rooms are very complex ranging from underground parking garages, VVIP rooms and underground entrances to a tunnel connecting the pavilion directly with the Royal Pavilion. Not only did the lighting designers illuminate the interior spaces, but also the building's exterior, the gardens and all of the adjacent areas. The details for the installation were extraordinarily intricate and the highest priority was placed on the invisibility of the luminaires.
Santiago Calatrava wanted only light and structure without any lighting fixtures whatsoever.

The German pavilion is one of the few that very generously lets in natural light into the interior. We defined and fine-tuned the design for the upper lighting in terms of number of fixtures, distribution and the transmittance of the glass in multiple simulations. The passage of light through clear glass and the breakthrough of direct sunbeams are desired and intentionally made possible. We used films to show how the cones of lights will move through the interior space. Only the center stage is shaded from the spots of sunlight.

No other pavilion at the EXPO 2020 was given such an intense natural lighting design. It was a statement about the sustainable use of natural light.

The architectural ensemble at Alter Wall 2-32 is composed of five buildings directly next to Hamburg's City Hall. The historically listed block was renovated to house shops, restaurants and high-end office space, including a large interior courtyard. Central importance has been given to the new Bucerius Passage, an arcade with bridge that now serves as a new and important passageway in Hamburg's city center.
We designed special lighting fixtures for this arcade: a pendant luminaire of a hyperboloid construction that is distinguished by interlaced metal bars from which light rings hang. Hidden in these rings are fixed light points that illuminate the floors and ceilings of the passageway and colonnade. The dimensions of the lighting fixtures vary widely depending on their position in order to match the given spatial dimensions.
These large-format light objects create a light motif visible from afar that harks back to the grand historical Alster arcades and gives this special place a festive atmosphere in the evenings.

The sculpture by Frank Stella was examined using extensive light tests while still in storage at the art dealer’s in order to determine its range of effects. The empirically established light positions were geometrically transferred to the foyer and the lighting fixtures installed before the piece of art was mounted.

Within the scope of the architectural biennale, the participants in the first Audi Urban Future Awards in 2010 were exhibited in the Scuola Grande della Misericordia in Venice.