As the host, the UAE's pavilion is one of the main buildings at the EXPO and one of great significance.
The design is inspired by a falcon with upward soaring wings, which are fitted with photovoltaics. During the day they are closed and the solar cells tilt toward the sky and at night they open up and display illuminated inner surfaces.
The entire pavilion is monochrome white and is given structure through light. The free-form ceiling of the vast interior is made legible by the double-curved lines of light and captures the iconographic character of the interior space.
The adjoining rooms are very complex ranging from underground parking garages, VVIP rooms and underground entrances to a tunnel connecting the pavilion directly with the Royal Pavilion. Not only did the lighting designers illuminate the interior spaces, but also the building's exterior, the gardens and all of the adjacent areas. The details for the installation were extraordinarily intricate and the highest priority was placed on the invisibility of the luminaires.
Santiago Calatrava wanted only light and structure without any lighting fixtures whatsoever.

On the foundations of the old Petri Church in Berlin, a new sacred building is being built that will unite the three monotheistic world religions of Judaism, Christianity and Islam under one roof. It will be a house of encounter, for people of different religions to get to know each other and exchange ideas. Three sacred rooms are arranged around a central domed room. Above this, the building opens up to the city with a loggia and offers views over Berlin.

For the imposing dome room in the centre of the building, we developed a discreet wall luminaire with several lighting components. This allows us to illuminate the entire room as well as the dome in a balanced way with just a few luminaires. A universal luminaire in the same aesthetics, also developed by us, provides uniform illumination of the circulation areas throughout the building. In the sacred rooms, skylights optimised by us with different characteristics create an appropriate room atmosphere with daylight. At night, this is taken over by the precisely planned room lighting consisting of simple pendant and surface-mounted luminaires.

The center of the city library is formed by the foyer with its “reading eye”. This double ring of luminous ceiling and skylight combines daylight with an artificial light source. The different library levels are oriented around this open central hall.

The lighting design firm Lichtvision was commissioned to develop a concept to illuminate the facades of the Humboldt Forum. The result was an intentional lighting of the facades in terms of intensities of illumination and their distribution.
The lighting design bathes the building in a uniform light. It accentuates the mighty presence of the Royal Palace in the heart of Berlin. The flat evenness of the light without much shadowing places priority on the building's three-dimensionality over its details so that it appears imposing and grand, especially from a distance. The height of the light points is necessary to avoid casting hard shadows and to create a uniform lighting.
The designers' lighting specifications were based on standard luminaires. Their design then needed to be integrated into the light columns that also illuminated the exterior areas. KARDORFF was commissioned with achieving these two tasks by using one type of light column.
First, the positions for the light columns were chosen by Kardorff Ingenieure to ensure that the entrances and views of the palace remained unobstructed. The desired light distribution at the defined positions had to be recalculated for the luminaires that can be used in Selux's LIF light column. The LIF light column was custom designed by Kardorff Ingenieure and has highly complex facade modules which can precisely aim individual LED using many separately adjustable deflective mirrors.
This made it possible to achieve the same lighting effect even with another product and at other positions than Lichtvision had originally designed.
As a result, the illumination of the square and the facade have been integrated into one luminaire.

In 1997, a daylight and artificial lighting concept was developed for all the rooms with skylights in the Pergamon Museum. For the first time, a computer simulation of the daylight, including even the falling of shadows on the exhibits, was conducted.